FEATURED ARTIST - APRIL 2016
Steve Martin Prize for Excellence in Banjo & Bluegrass Winner 2015
I’ve been at this a pretty long time. The main thing I use to get my ideas across has been the banjo, it has an unusual sound and is capable of a wide range of expression. However, it isn’t very developed yet, in terms of what is being done with it in a current macro sense. It’s untapped.
A lot of what I do was informed by punk rock and dub music from the 70’s, I bought those records when they were new, thus starting a lifelong obsession of buying records. I received a degree from the University of Texas [Austin] in audio production, and loved the classes there about the history of audio and recorded music. That’s where I first started hearing experimental music, that’s also where I learned to be very comfortable in a recording studio. Later I became the principle songwriter/producer/singer for Bad Livers, and eventually launched my own private record label ( Minner Bucket Records ), publishing company, and solo career in about 1998.
I have some good friends in bands of various sizes, some of them are these quite famous people, though I try to learn from anyone that has an “idea.” My whole thing is music, and trying to make my own sound. I have developed a specific technique I call barnyard electronics which is an aesthetic combining various bits of bluegrass, noise, rock, and electronic music. The live aspect involves a computer program I built in max/msp and a banjo. I do about 150 domestic shows a year with that set-up.